Even though I’d chosen a non-dance career path, I still wanted to keep doing what I love—what I’ve always been doing—and do it at a high level.
Today’s Q & A features the other half of PushPULL Dance Inc.‘s founding members, performer and producer Rebecca Ho, as mentioned in our previous Q & A. Rebecca’s passion and enthusiasm for dance and for the work that PushPULL does infuse her responses as she shares with us her thoughts on the uniqueness of the company and of a PushPULL performance, as well as her insights on the physical challenges dancers face.
Photo credit: Raph Nogal (https://raphnogal.com/)
And heads up! We’ll be giving away tickets to PushPULL Dance’s 9th annual show, entitled this year as Wish You Were Here, which runs June 13 to June 22, 2003 at the School of Toronto Dance Theatre. So stay tuned for a future post about that. Until then, check out our Q & A with Rebecca.
I think what’s important with the performing arts is recognizing that creativity and artistic expression are not things limited only to those who pursue them professionally.
In our previous Q & A, Joel Ivany from Against the Grain Theatre spoke about the importance of making art accessible to anyone as the arts are for everyone. Today’s Q & A features Kelly Slate, one half of the founding members of PushPULL Dance Inc., a company that embodies this very notion.
Read about what drove Kelly and co-founder Rebecca Ho (who will be featured in a future post in the coming weeks) to create PushPULL Dance, which, beyond the company, is a close community of non-professional dancers from all walks of life, who meet to choreograph dances, create shows, and perform simply for the love of the art. Check out their upcoming show Wish You Were Here, and you might find yourself affected by, and infected with, the joy and passion in the dancers’ performances.
One of the main goals that I have as director of FoD is to build a strong sense of community between the dance groups at U of T, because I think the best way to build support for the dance community is to reach out to people who already share the same passion.
Are you a dancer or part of a dance group? Looking for a place to promote your work, perhaps an opportunity to network with other dancers? Submit your dance piece of any genre and style to the U of T Festival of Dance for a chance to shine, to connect, to celebrate the diversity of the University of Toronto’s dance community. They are accepting audition applications for this year’s festival until February 15.
In this Q & A with the festival’s director, Melanie Mastronardi, who is a dancer but also a PhD candidate at University of Toronto’s chemistry department, she shares with us her experience building a strong dance communities and developing new audiences. Read on…
In today’s world, the vast majority of professional performers are self-employed, working on a contract basis, or self-producing. To succeed in the dance profession, they need to be self-made entrepreneurs with a wide range of skills, including budgeting, marketing, fundraising, grant writing, and business management.
Pursuing any artistic career takes tremendous focus and dedication. We are not only thrilled to start featuring dance as a performing art, but to also, in this Q & A, introduce our readers to Dancer Transition Resource Centre, an organization that provides professional support to dancers in various stages of their career. In this post, executive director Amanda Hancox shares with us the challenges that are unique to dancers, and reiterates the importance of continuing to learn and staying open to new directions and opportunities.
If you are a dancer, you may be interested in their free on the MOVE conference this Friday (Feb. 1, 2013) at the new Daniels Spectrum cultural hub in Regent Park. It is an opportunity for young and emerging dancers to meet professional dancers, network, and get some practical career-related advice as they transition from training into the professional world. Click here to read Amanda’s Q&A!
The audiences’ primary challenge is distilling what’s good and what’s not and understanding what’s available to them, which really becomes a question of access. They have to discover their niche and their aesthetic, while appreciating the commitment the performers are putting into their performance, and form their own identity as an audience member.
Adam Sherkin is an active composer and classical pianist in Toronto with a newly released CD and a series of solo performances. He is also the founder of the Toronto Composers’ Collective. In this Q & A, Adam shares his thoughts on the challenges confronting both performers as well as audiences. Read on…
I think it’s important to use all of these incredible online social media networking tools to help create real-time live musical events in all kinds of small communities around the world—not retreat into the online world and shy away from the real world, but use it to create more opportunities within the community!
Edwin Huizinga, classical/rock/indie musician and founding member of Classical Revolution
Violinist Edwin Huizinga takes a collaborative, community-centred approach to planning concert events. Read about his forays in different musical genres and his grassroots attitude toward the performing arts. Read on…
From time to time, we will be interviewing performers, presenters and marketers of the performing arts to get their stories about the challenges that they face and how they have successfully marketed themselves or their shows.
We also hope to have avid audience members (we know you’re out there!) weigh in with their perspectives on the performing arts. So … want to have your say? Don’t be shy. Drop us a line (firstname.lastname@example.org). Easy as pie.
Check out the first of these Q & A sessions with BeMused’s very own marketing expert, Tim Crouch.